Heading back to Tucson from Colorado is a trek. Parts of the drive are gorgeous, other parts are a struggle to stay awake…so, entertainment and some imagination are necessary. I like to stay on the relative backroads.
We gas up in a place called Waterflow in between Farmington and Shiprock, New Mexico. The 7 to 11 there is like a little museum of edibles and etiquette I remember from the way past traveling with the family back and forth across the Southwest.
Being visually inclined I am particularly inspired by “eye candy” literally. I don’t eat the stuff, just like to look at it, although I do love a sip of the Big Red, it tastes like fizzy strawberries and bubble gum…uh, yum.
So, here begins another project! You never know when these projects are going to sneak up on you. This one is taking more than the week to fulfill so I’ll give you the process and some “in progress” pictures and some unrelated stuff too.
Here we go:
Now there’s something entertaining to look at.
Until the forest fires…5 on this trip.
Ajck, that’s Jack and Pepe. Total opposites when it comes to the car. Entertainment, none the less.
Nice City Park in Snowflake, AZ.
After driving for 10 hours, a plan has hatched for a new Grid Painting.
Now, to accumulate some related momento mori…to make 9 squares.
- Pocket Knife
- Falcon Feather
- Fake Hummel Figurine
- Antique Jump rope
- Tic-Tacs (inedible except for the orange ones)
- Big Red Soda (which I find in northern Arizona near or on a Reservation)
- Candle (to relax the eyes, focus and for remembering)
- Antique Spurs (kid-sized)
- Porcelain Horse (made in china, from Chinatown SF)
- Saddle Blanket (backdrop)
I like the natural light from the window so I will paint the piece in this light, which limits working time to 1-4 in the afternoon on sunny days, which proves to be a bit difficult since we are having such wonderful thunderstorms in the afternoons here in Tucson. This is why it is ideal to have a couple of projects going at the same time which have different parameters, think trash collages or glass cubes etc.
Halfway through, I assemble the squares to see if a change in scale or composition is needed to create balance. There are always changes so, the sooner, the better.
Further work and another configuration:
The grid paintings come about because they don’t take up a lot of space to make. Great practice for figuring out color and light. Small bites, not overwhelming. Easy to fit into a busy schedule. Thought provoking. Fun.
Or try a short series exploring subject, concept, color harmonies, composition, like this next image. These works have a different impetus. Not meant to be a grid. I show them to you now because I’m working on them at the same time as the big grid but, at night, under controlled lighting and off of a computer screen. Will give you the rundown later.
Next week, we’ll see how it went with one or both of these projects…or maybe something completely different.
Practice, practice, practice!