Mountain Light

This light is awesome! ┬áStrong, cool and crisp, you can’t find it in the desert. I travel for the light…not complaining, there is nothing like working from natural light. You have to get it while you can!

On this early summer, mostly-plein-air trip to southern Colorado, I squeeze in a still-life at the art-shack (studio).

Last year we introduced Duckie (and friends):

This year, Duckie makes another appearance.

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” The Fisherman’s Catch”

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Lucky Purple Piglet

Continuing with the discovery of underused colors in the paint-box I find: Manganese-Violet-Reddish, Old Holland Blue, Hansa Yellow Light, and Brilliant Pink.

I know I can’t do all 4 this week so I choose the colors without white added and just one pigment because they tend to mix cleaner: Hansa Yellow and Manganese Violet.

Here is a model of the chemical compound 11-cis-Retinol and/or All-trans-Retinal, a form of Vitamin A, which makes vision possible (complicated). It is a challenge to draw-could be disastrous-but you have to try!

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I really don’t know which color to pick. I want to use purple but am hesitant. So I give it a rest and focus on something else.

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Even though it is Hotter than Hades here in Tucson, we still must walk the dogs. This enables the collection of smashed ground trash, an ongoing project correlated with dog walking.

I am currently going for smashed glass, it is so sparkly in the early morning light…Here see one mornings worth of glass, plus nifty glass photo cube as container.

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…and subsequent exhausted Jack on his floral matt.

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Smashed glass pick up requires some speed so Mr. Pepe stays home while Jack and I explore nether alley-hoods for most-best glass.

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Day two of glass collection-This is going to take longer than expected.

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At least now I know what color to use for the Molecule! Hansa Yellow Light; lemony and bright.

Now, for the little lucky pig.

Here is the drawing board so far. When I look at this, I get inspired to keep going. Making drawings is relaxing for me because color can be so risky…drawing feels safe compared to color. So, draw first to figure out what you are doing or where you are going and the more difficult stuff will fall into place, or do it the other way around-paint first and draw after!

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I am doing these paintings on SourceTek oil primed linen birch boards (drawings on Strathmore 200). 10×10 size is about $10. It is a good way to get used to painting on a really nice surface without a huge expenditure. All surfaces take paint differently and you should practice on what you want to know best.

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The Manganese is very dark. I can barely see the drawing through the tone, so I wipe it off a little, it stains nicely.

My set up under halogen lights. I am working mostly at night on these studies, so I don’t always get the values right, but at least I know that, now…

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Here is everybody so far, they are all 10×10. Interesting how the colors look together.

So, how about we put it all together and see what happens; all the main pigments and all the objects and a bigger canvas?

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See you in a week!

Food for thought. Find collections of things that have some similarity and paint them…it makes a series that you don’t need to think too much about and it can reveal memories tied to the objects…

Hint: You can also create similarity with a patterned fabric or hue or concept, like abstracting things a certain way or zooming in on something…as long as there is a relationship/continuation/building on it through each piece, it’s a series!

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